{"id":21174,"date":"2021-11-22T15:02:39","date_gmt":"2021-11-22T13:02:39","guid":{"rendered":"https:\/\/staging.espronceda.net\/?p=21174"},"modified":"2026-07-10T13:30:26","modified_gmt":"2026-07-10T11:30:26","slug":"en-horas-bajas-exposicio-juan-antonio-cerezuela","status":"publish","type":"post","link":"https:\/\/staging.espronceda.net\/ca\/en-horas-bajas-exposicio-juan-antonio-cerezuela\/","title":{"rendered":"En horas bajas \u2013 Juan Antonio Cerezuela"},"content":{"rendered":"

\"Cartell<\/p>\n

en horas bajas<\/em><\/strong> una exposici\u00f3 de Juan Antonio Cerezuela<\/p>\n

comissariada per Alterd\u00fao \u2013 Arianna Esposito i Marco Tondello<\/p>\n

Espronceda Institute of Art & Culture<\/p>\n

Inauguraci\u00f3: 24 de novembre de 2021 a les 19:00 h<\/p>\n

Visita guiada per llibres: 4 de desembre de 2021 a les 17:30 h<\/strong><\/p>\n

Del 24 de novembre al 10 de desembre de 2021<\/p>\n

C\/ d’Espronceda, 326, Nau 4 i 5, 08027 Barcelona<\/p>\n

www.espronceda.net | info@espronceda.net<\/p>\n

Horari de dimarts a dissabte: 16:00 \u2013 19:00 h<\/p>\n

Consulteu altres horaris amb cita pr\u00e8via<\/p>\n

 <\/p>\n

Espronceda Institute of Art & Culture<\/b> presenta en horas bajas<\/i>, exposici\u00f3 individual de l’artista Juan Antonio Cerezuela<\/b> (Cartagena, 1982), comissariada per Alterd\u00fao<\/b>, un col\u00b7lectiu format per Arianna Esposito (Roma, 1993) i Marco Tondello (P\u00e0dua, 1989), guanyadors del Programa de Resid\u00e8ncies per a Comissaris d’Art 2021<\/i> organitzat pel mateix centre.<\/p>\n

 <\/p>\n

en horas bajas<\/i> s’aproxima al llenguatge i a la hist\u00f2ria com a mat\u00e8ries transformables, susceptibles d’agressi\u00f3, cat\u00e0strofes, de ser redu\u00efdes a ru\u00efnes i de la seva posterior redempci\u00f3. El projecte pren com a refer\u00e8ncies te\u00f2riques, entre d’altres, Walter Benjamin i Karl Kraus.<\/p>\n

 <\/p>\n

El t\u00edtol prov\u00e9 de l’expressi\u00f3 \u00abestar en horas bajas\u00bb, utilitzada per pescadors i mariners quan la marea baixa no els permet sortir a navegar o pescar. En un llenguatge m\u00e9s col\u00b7loquial, aquesta dita tamb\u00e9 s’empra per indicar que alguna cosa no es troba en el seu millor moment o, dit d’una altra manera, que est\u00e0 decaient.<\/p>\n

 <\/p>\n

L’exposici\u00f3, que es pot visitar a Espronceda del 24 de novembre al 10 de desembre de 2021<\/b>, reuneix les peces m\u00e9s emblem\u00e0tiques de l’artista juntament amb obres de nova creaci\u00f3 i grans instal\u00b7lacions, aix\u00ed com petites intervencions a l’espai. Tota la producci\u00f3 art\u00edstica remet a textos cremats; escrits utilitzats durant r\u00e8gims dictatorials per justificar la crema de llibres; materials inflamables convertits en cendra, carb\u00f3 o residus que apareixen en el seu estat latent. en horas bajas<\/i> conclou amb una acci\u00f3 ideada per l’artista i Alterd\u00fao titulada Visita guiada per llibres<\/i><\/b> que, a trav\u00e9s de la interpretaci\u00f3 de diferents cites i textos, presentar\u00e0 una nova lectura del projecte expositiu.<\/p>\n

 <\/p>\n

Tot discurs neix, mor i ressorgeix. De vegades tendeix a ser incendiari, d’altres acaba en ru\u00efnes. En qualsevol cas, mai desapareix.<\/p>\n

Existeix una dicotomia, discutida per molts autors, entre la visi\u00f3 del llenguatge com a acte de creaci\u00f3 i, alhora, com a actor de la cat\u00e0strofe. En el seu sentit m\u00e9s ampli, podem considerar el llenguatge com un lloc ple d’agressions i ferides, de vegades opressiu o oprimit, que d\u00f3na lloc tant a la bellesa m\u00e9s creativa com a la for\u00e7a m\u00e9s destructiva.<\/p>\n

 <\/p>\n

en horas bajas<\/i> \u00e9s una exposici\u00f3 que presenta, en la penombra, reflexions que recullen el llegat del nostre passat per portar-lo al present, convidant-nos a preguntar-nos quin futur construirem sobre les seves ru\u00efnes.<\/p>\n

 <\/p>\n

El llenguatge crema. El llenguatge \u00e9s ru\u00efna. El llenguatge \u00e9s esperan\u00e7a.<\/p>\n

 <\/p>\n

Juan Antonio Cerezuela<\/b> (Cartagena, 1982), artista visual i investigador, resideix actualment a La Escocesa. \u00c9s Doctor en Arts Visuals i Interm\u00e8dies per la Facultat de Belles Arts de Val\u00e8ncia (2014) i Llicenciat en Belles Arts per la Universitat de Granada (2005). El discurs de la seva obra \u00e9s sempre anal\u00edtic sobre el llenguatge com a estructuralitat i com a conjunt de signes, abordant q\u00fcestions sobre la narrativa i la ficci\u00f3, sobre la manera en qu\u00e8 les hist\u00f2ries ens arriben i com s’articulen els discursos hegem\u00f2nics i de poder.<\/p>\n

 <\/p>\n

Entre les exposicions m\u00e9s recents hi ha: Blanco y Ceniza<\/i> a 13ESPACIOarte (Sevilla, 2021), Subversi\u00f3! Manifestacions perif\u00e8riques per a una hist\u00f2ria reversible<\/i> (Born CCM, 2020), Paisatges desitjats<\/i> (Arts Santa M\u00f2nica, 2020), ESC-OUT: Deviations of artistic practices in the public sphere<\/i> (Fabra i Coats, 2019), The fireproof memory<\/i> (Fundaci\u00f3 Gabarr\u00f3n, M\u00farcia, 2019), Full Blanks<\/i> (CEART, Madrid, 2019). Va ser finalista de l’Ashurst Emerging Artist Prize Awards<\/i> (Londres, 2019), va obtenir el 1r premi d’Art Emergent de Sabadell<\/i> (2017) i el 1r premi al XXXI Certamen d’Art Jove de La Rioja<\/i> (2015), entre d’altres. El 2020 va rebre la Beca de producci\u00f3 en arts pl\u00e0stiques i visuals<\/i> de l’ICA de la Regi\u00f3 de M\u00farcia i la Beca de recerca i experimentaci\u00f3 art\u00edstica<\/i> de La Escocesa.<\/p>\n

 <\/p>\n

www.juanantoniocerezuela.com<\/a><\/p>\n

 <\/p>\n

Alterd\u00fao<\/b> \u00e9s un col\u00b7lectiu de comissariat ideat per Arianna Esposito (Roma, 1993) i Marco Tondello (P\u00e0dua, 1989). Els seus projectes i recerques parteixen del q\u00fcestionament de les realitats actuals, prestant especial inter\u00e8s a les emergents i marginals, amb la finalitat de construir xarxes i espais d’intersubjectivitat entre cultura i comunitat.<\/p>\n

 <\/p>\n

Tots dos comparteixen un inter\u00e8s per les pr\u00e0ctiques art\u00edstiques contempor\u00e0nies i digitals, establint el seu treball al voltant de dos eixos principals: el di\u00e0leg i el proc\u00e9s. El di\u00e0leg com a dispositiu de cura i impuls cap a experi\u00e8ncies col\u00b7laboratives no hegem\u00f2niques, i el proc\u00e9s com a acci\u00f3 constant on donar lloc a altres possibles inicis.<\/p>\n

 <\/p>\n

Com a duo, han comissariat l’exposici\u00f3 #internetflags<\/i> d’Irma Marco a la galeria Espai Souvenir (2020), han col\u00b7laborat amb L’Estruch de Sabadell a Dissonants, cicle de performance i tecnologia<\/i> (2021) i han presentat Entra\u00f1as: Carne de mi carne<\/i> de Mar\u00eda Alcaide al programa 1+1+1\u2026 del Loop Festival 2021.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

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\"\"<\/p>\n

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\"\"<\/p>\n

\"\"<\/p>\n

\"\" \"\"<\/p>\n

\"\"<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Exposici\u00f3 individual de Juan Antonio Cerezuela a Espronceda, comissariada per Alterd\u00fao, que explora el llenguatge, la hist\u00f2ria i la destrucci\u00f3 a trav\u00e9s de textos cremats i instal\u00b7lacions.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[285,92,77],"tags":[230,200,103,183,256],"class_list":["post-21174","post","type-post","status-publish","format-standard","hentry","category-events-2021","category-esdeveniments","category-events","tag-art-social","tag-comissariat","tag-exposicio","tag-installacions","tag-residencia"],"yoast_head":"\nEn horas bajas \u2013 Cerezuela | Espronceda<\/title>\n<meta name=\"description\" content=\"Exposici\u00f3 de Juan Antonio Cerezuela a Espronceda Barcelona (24 nov\u201310 des 2021). 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